Riverside studios
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Publicly funded pornography

The play XXX, based on the Marquis de Sade’s 1795 novel “Philosophy of the Bedroom” has been much in the news recently.  Performed by La Fura Dels Baus, an experimental theatre company from Barcelona, it has recently opened at the Riverside Studios in London. 

According to the press release, the play tells the tale of the perversion of a young girl called Eugenie by a group of liberated young things led by the sensual, calculating and manipulative ex-porn star Madame Lula who claims to have sold 46,000 rubber models of her vagina.  Her assistants in this venture include the philosophically sophisticated, narcissistic, selfish and vicious Dolmance, and Giovanni (her brother and gratefully incestuous partner). The journey from innocence to perversion to madness ultimately inspires Eugenie to extract revenge for her moralistic upbringing by organising the gang-rape of her mother.

It features threesomes, foursomes, a live link to a dildo-wielding woman in a peepshow, fellatio, cunnilingus, sodomy and genital mutilation.  Director Alex Ollé says “this is not a show where people should come out thinking 'that was nice' ”.  The company claim that XXX is sexual, emotional and psychological dynamite, ignited by a profound and spectacular audio-visual-physical barrage that is inescapable, unavoidable, awe-inspiring and often unwatchable. 

Well, well.  Each to his or her own.  No-one should object to private individuals watching the "unwatchable", and are pleased to see that most of the funding seems to be coming from the paying audience assisted by co-sponsorship from the Spanish-based pornography publishers, The Private Organisation. 

However we do object to the Riverside Studios getting involved as hosts and co-producers?  Riverside Studios receives extensive funding from the taxpayer via the Arts Council for all sorts of politically correct artistic boondoggles.   This year they got £162,290 for their “New Audiences Programme Year Enabling Diversity”, whatever that means.  This enables them to keep going despite producing arty nonsense that hardly anyone wants to pay to watch.  Indirectly it allows them to take a punt on this sort of “unwatchable” play.   The resultant publicity provides valuable advertising for pornographers.   Let us hope that the Arts Council saves its money next year. 

26 April 2003

 

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Last modified: February 11, 2006